I also have dis frogman named Gonzales..
As you can tell, he is a ninja frogman eue. Honest to god I didn’t even think of greninja when I made him BUT OOPS NINJAFROGS.
Is okay tho because now my Pokemon Y greninja has a great name.
A reservoir of water three times the volume of all the oceans has been discovered deep beneath the Earth’s surface. The finding could help explain where Earth’s seas came from.
The water is hidden inside a blue rock that lies 700 kilometres underground in the mantle, the layer of hot rock between Earth’s surface and its core.
Some geologists think water arrived in comets as they struck planets, but the new discovery supports an alternative idea that the ocean oozed out of Earth’s interior layer.
OH MY GODDDDDDD -NERDS OUT-
That’s where the lizard people live
WHAT THE FUCK
I just wanna point something out.
You know how you always see those pictures of the strange types of fish that live in the deep, deep sea?
like this one
or this one
and this one
If any and if possible imagine what the fish look like in the DEEP, DEEP sea.
I’m smelling a million dollar creepy story.
That smells awful… fishy
Ne, Ne, by 追川うそ
Why you gotta do this to me
* crying *
Beck! (/ ` u `)/
Tuesday Tips - Gesture Drawing
As a story artist, I feel like one of the most important technical skill to develop is the ability to draw things things clearly and fast. Practicing gesture drawing is, in my opinion, a good way to get better at it. I think it’s fun, too! Of course, you can draw from life and find unique things people and animals do, but I also think practicing gesture drawing from imagination is truly helpful. For instance, I usually do some gesture drawings of characters I’m about to work with in a sequence. It helps me find a short-hand to start building from. The simpler, the better. Especially early on a project, it really helps to find a quick way to draw a character over and over without repeating yourself all the time.
I remember Life Drawing teachers telling me to “draw from within” and to “feel the weight”. It’s absolutely true, but in terms of storyboarding, other elements came to be as important to the process. Silhouette and a sense of “cartooning” is tremendously helpful to communicate certain things clearly to an audience.
I’m only focusing on character posing right now (and this is just an introduction to the subject). Gesture drawing is very close to thumb-nailing, another ultra-helpful skill. More on that later.
For those who want to spend some money on great books on the subject, I highly recommend you to pick up “Drawn To Life: 20 Golden Years of Master Classes of Disney Master Classes” (Vol. 1 and 2) , from Walt Stanchfield. Do it.
Timeman: SEE THAT CHIMECHO!? It’s time to defeat Megaman!
Chimecho: Chime Chime!!! *I don’t give a fuck!!*
hhhhhhh more super quick stuff…. I think I’ll redraw this if get a better idea for it maybe
I like megamix!flashman~ he’s fun to draw!
Disco Ma- er, Top Man - Mega Man 3 - Capcom; NES, 1990.